I have always been fascinated by the art of ceramics, and in awe of the artists who flourish in the medium. There is a kaleidoscope of beautiful opposites in pottery: fragility and endurance, utility and ornamentation, moldability and permanence, raw earth and the imprinted human hand. This collection is a love letter to an art form as old as humanity itself, and the transformation that the humble "jar" experiences through different eras. These four pieces were an opportunity for me to experiment with expressions of form-finding as well as shallow carving as a representation of ceramic patterns — all at a miniature scale.
